‘Michha Khusi Sata Dukha’ - A short story collection by Hrushikesh Panda
 

Review by Itishree Devi

Hrushikesh Panda is the kind of person “you read about long before you read him”. The latest collection of short stories written by this noted writer is a trilogy called Miccha Khusi Sata Dukha (false happiness and true sorrow). What makes this book compelling is that it is a meticulously done close-up study: a piling up of minute details unraveling the monstrous tentacles of corruption which have become so deep-rooted in the Indian socio-political life that they have drained our economic

system dry and sucked the blood out of the poorest of the poor in society.

Being in the administrative services for years, Mr. Panda enjoys an unprecedented level of access to the system, helping him in compiling the material for this book. Hence, every word written in bare, unadulterated prose, rings true.

The first eponymous story in this collection begins in pre-independence India when the rich natural resources of the country like iron ore were tapped and exported by the British with the promise to set up steel plants for the employment and economic benefit of the natives. Proceeding into the post-independent period, the author unravels how the industry set up and run by the government machinery is slowly and surely heading towards closure not because of lack of funds, infrastructure or resources, but rather of the greed, dishonesty and corrupt practices prevalent at all levels.

And ironically enough when an honest administrator does come into the picture in the form of S. Pragyan and revives the sick industry, not only are his efforts thwarted, but those same corrupt people swoop down upon him as vultures to claim their share. And finally instead of being rewarded for his efforts, legal proceedings are drawn up against him for abusing a local hooligan who has risen to be a political representative thereby securing immunity for himself.

Mr. Panda, in his story has two parables: the first, in which a king, acting according to the norms of ‘Dharma’, restores peace and prosperity in his country and the second, where a rape-victim, an untouchable, and her father are punished for having the audacity to protest. In a democratic system it is but natural that the honest and the upright will be victimized, concludes Panda with bitter irony.

The second story deals with the problem of fraud and corruption. Innocent villagers in Southern Orissa are duped into selling their productive farmlands at much lower prices thus paving the way for plantation of cash crops like cashew. Landowners are forced to flee to the southern state of Andhra Pradesh. Here again we find the greedy and the dishonest escaping the clutches of law by rising through money and muscle power to become a part of political system and hence both taking advantage of and securing immunity from the law.

The last part of the story occurs in the Western part of Orissa in Titilagarh, when the narrator in his capacity as the commissioner, investigates into the causes behind the death from starvation of a woman named Premasilla. The news, making headlines for several days, causes a lot of embarrassment for the government.

Thorough investigation by the commissioner reveals that this forest-rich area, attracted hooligans from a neighbouring state. Without any hindrance, they smuggle timber from the forest, causing massive deforestation, impoverishing the natives and trapping them by handing out loans at high interest rates and finally forcing them into becoming bonded labourers in Andhra Pradesh, to work for meager wages, culminating in starvation death as in the case of Premasilla.

The story of Premasilla looks at the causes behind such starvation deaths – illegal deforestation and exploitation of the poor. The exploiters go scot-free by being elected as politicians: politics still being a haven for criminals for India.

The question that Mr. Panda raises is are we, the public, by electing criminals to power, not responsible for these deaths.

If the purpose of literature is to stir up emotions so far unrecognized, then Mr. Panda has certainly succeeded. Written in a simple, racy style, the stories turn the stomach and raise pertinent questions that gnaw at the consciousness. Why do we, as conscientious citizens, let ourselves be driven by a handful of corrupt politicians?

The only flaw one finds in this book is that Mr. Panda’s narrations appear to be more of an autobiographical documentary. The effects perhaps would have been greater had the author been a little more subtle in presentation. One suspects a little comic relief, a little less despair, dejection and attitude of laissez-faire would have vastly improved the writings.

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Editor: Sulochana Das